Whenever
someone questions the logic of a film, book or TV show, it's almost
inevitable someone will trot out Alan Moore's 'This is an Imaginary
Story' quote from Superman #423 in response. But they're using it wrong - and in the process, completely missing the point of what Moore was saying.
First off,
it's ridiculous to pass off a critique of a piece of fiction with the
comeback of 'it's not real, so it doesn't matter'. There's a place in
science fiction for stepping away from 'competency porn' and breaking
into fantastical scenarios that might fall apart the moment you pick
away at the surface (but offer something compelling upon a first
viewing), but it doesn't make something not making sense any less valid,
just because it's a piece of fiction. That's not how things work -
otherwise, what would be the point of any logic in storytelling? You
could just have something made of complete nonsense and that would be
fine - because hey, it's imaginary, why should we care if we consume
something that makes sense. It's not even an argument or a counter to
criticism when used this way, wielded like a blunt implement being swung
around brutishly - it lacks the finesse of a counterpoint. It's a way
of shutting down discussions immediately, rather than actually engaging
with them. That's a pretty stupid way of trying to prove a point,
honestly.
And being
used this way, it completely disregards what Moore was actually saying
in his introduction to Superman #423. Many interpretations of the full
quote place it as Moore almost rallying against the de-canonisation of
past Superman stories ahead of John Byrne's reboot of the character post
Infinite Crisis, but he's doing so much more than that - he's
championing the power and scope of imagination, of imaginary stories.
It's not necessarily a quibble about canon, but the fact that
fantastical worlds like the comic book one inhabited by Superman can
bind all of these stories together. That the canon and the non-canon can
sit alongside each other because that's not what's actually powerful
about these stories, it's the fact that they are products of
imagination. His intro to Whatever Happened To The Man Of Tomorrow?
brands all of Superman's tales as imaginary - but not to say that they
don't matter, but to imbue them with an almost mythological sense of
power that Moore so clearly saw in fiction. So while many people use it
to argue that something shouldn't matter, Moore is in fact saying very
much the opposite: fiction is a construct of imagination, and that
imagination has power. It all matters.
So if
you come across someone bemoaning a plot hole, or calling for common
sense in a piece of fiction, don't misuse poor Alan Moore to try and
shut them down. He doesn't want you to completely disregard something,
he wants you to embrace it. That's the power of imaginary stories, after
all.
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